Reading: Rainbow Bouquet
Feb. 17th, 2019 06:52 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I saw a few posts on social media last week about a forthcoming anthology of queer-themed love stories from Manifold Press, Rainbow Bouquet (ed. Farah Mendelsohn) and, as it included stories by a couple of people I follow and whose work I generally enjoy I thought it seemed worth a punt. It was released on Valentine's Day, and because it had just appeared on my kindle at the point where I'd finished my last book and I wanted something easy to read I dived straight in.
There are ten stories in Rainbow Bouquet, spanning a variety of genres (space opera, fantasy, historical, ghost story) and settings (from the ancient Mediterranean to a distant planet). Only four of them feature f/f relationships, with the other six being m/m; I was really happy to see one of the f/f stories including an asexual character, because Representation Matters. My favourites were Kathleen Jowitt's 'Stronger than Death', a lovely story about a stately home's ghostly residents helping their descendents; Cheryl Morgan's 'The Poet's Daughter', about Calypso and a shipwrecked woman washed up on the beach of Ogygia long years after Odysseus's departure; and M.J. Logue's 'Firebrand', set in the theatres of Restoration Drury Lane, but there was only one I didn't really like at all, partly because it felt very male and very focused on sex but probably quite a lot because of a totally gratuitous diss of handknitted socks on the very first page.
There are ten stories in Rainbow Bouquet, spanning a variety of genres (space opera, fantasy, historical, ghost story) and settings (from the ancient Mediterranean to a distant planet). Only four of them feature f/f relationships, with the other six being m/m; I was really happy to see one of the f/f stories including an asexual character, because Representation Matters. My favourites were Kathleen Jowitt's 'Stronger than Death', a lovely story about a stately home's ghostly residents helping their descendents; Cheryl Morgan's 'The Poet's Daughter', about Calypso and a shipwrecked woman washed up on the beach of Ogygia long years after Odysseus's departure; and M.J. Logue's 'Firebrand', set in the theatres of Restoration Drury Lane, but there was only one I didn't really like at all, partly because it felt very male and very focused on sex but probably quite a lot because of a totally gratuitous diss of handknitted socks on the very first page.
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