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Stephanie Burgis's Spellcloaked is a short story in her Harwood Spellbook series. Set after Thornbound, it's a sweet sapphic romance which manages to make the villain of Thornbound into a sympathetic heroine, and as delightful as the rest of the series has been.

Rowany De Vere and a Fair Degree of Frost is a Patreon-only novella by Chaz Brenchley, set in his Mars Imperial (Crater School) universe. It features Rowany De Vere, former Head Girl of the Crater School, now grown up and working for the Mars Colonial Office and undertaking a mission to escort a Russian defector through a snowy Marsport to a safe house. Fun spy hijinks with some extra worldbuilding for Imperial Mars thrown in.

C.A.T.S.: Cycling Across Time and Space is an anthology of feminist SFF stories featuring cats and bicycles. I particularly enjoyed Kathleen Jowitt's story, about a trade union organiser and her cat taking a cycling holiday, and Alice "Huskyteer" Dryden's business case study about why bicycle sales to a planet populated by felines are so low; other stories featured steampunk suffragettes, scientists on Mars, robots and many more. This was a lovely collection (and made me kind of want a bicycle, even though I can't actually ride a bike).
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66 novels, novellas, graphic novels, short story collections and a couple of self-published standalone shorts which were more like novelette length. I also read all the Hugo-shortlisted short stories and novelettes online, and quite a few other online short stories, but they aren't listed here.

Full list )

11 of the 66 were by cis men; four of those were by Neil Gaiman and two by Chaz Brenchley. Two of the remaining five were by African-American men (P. Djèli Clark and Tochi Onyebuchi).

12 books in total were by POC, and I think 12 were by trans and non-binary writers (four of those by N.D. Stevenson).

I read 12 graphic novels, mostly later in the year after I'd bought a tablet which I could read graphic novel ebooks on.
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The second of Kim M. Watt's Beaufort Scales mysteries, Yule Be Sorry sees the Cloverly dragons and the Toot Hansell WI mixed up in a Christmassy caper involving missing postmen, exploding baubles, and a great deal of cake, while Beaufort himself also has to deal with the discontent of those members of the dragon community who object to closer relations with the humans and want to take a more isolationist stance. Fast-paced, daft and fun.
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Carrying on the theme of seasonally-themed fluff (frankly all my brain can take right now), A.L. Lester's Surfacing Again is a sapphic romance set on Lindisfarne at Christmas. Lin is staying on the island for the holiday, but when the friend she was with storms off after an argument, taking the turkey with her, it looks like being a lonely time. But then Lin meets Rowan, owner of the local cafe, and things start looking up.

This is short and sweet, and made me long to visit Lindisfarne again. (One day...) Definitely recommended as festive light reading.
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Tansy Rayner Roberts' Merry Happy Valkyrie is a Christmas novella set in the small Tasmanian town of Matilda, which is the only place in Australia guaranteed to have a white Christmas every single year. Weather forecaster Lief Fraser grew up in Matilda but left as soon as she could, and she isn't keen on being sent back to report on the strange phenomenon of the town's weather, especially as she will have to keep her bubbly camerawoman from sniffing out the town's other secrets while they're there.

Merry Happy Valkyrie is an entertaining mixture of Norse mythology and smalltown Australia, with a touch of sapphic romance added in. I liked this a lot, and definitely recommend it to anyone looking for festive comfort reads.
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I was scrolling through Twitter last week when I saw a mention of Juliet Kemp's new novella, A Starbound Solstice. It was described as "a festive space queer romance", and sounded like an ideal seasonal read, so I bought a copy and managed to start it yesterday, on the actual solstice.

A Starbound Solstice is set aboard a colony ship, halfway through its 70-year journey from Earth to a new planet. With most people on board in cryosleep, the five humans on shift as crew are planning a solstice celebration when something strange happens to the ship's AI and to their alien crewmate. It's a hopeful and optimistic story, full of kindness and people working together to solve problems. Perfect winter reading!
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Australian author Freya Marske's debut novel is a m/m fantasy romance set in an Edwardian England where magical families have always existed, living a hidden life alongside everyday society. When an administrative error sees the thoroughly non-magical Robin Blyth assigned to the post of civil service liaison to the magical world, he finds that some rather unpleasant people are trying to find something that was hidden by his predecessor, and he has to team up with the cold and unfriendly Edwin Courcey, his counterpart from the magical bureaucracy, to try to find answers and lift a curse that could otherwise kill him.

The basic setup of A Marvellous Light, with a hidden magical society existing in parallel to the normal one, is a familiar enough scenario, but Marske's magic has some interesting aspects (spells in this world are "cradled", brought into existence by hand movements reminiscent of cat's cradle, and there's a strong emphasis on magical connections between land and its owners. Robin and Edwin are likeable characters and I enjoyed the romance element. This was an entertaining, fairly light read; the novel does stand on its own, but is the first of a planned trilogy and I certainly intend to read the other volumes when they're published.
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Everina Maxwell's Winter's Orbit started life as an original fic on AO3, and while it's been expanded and revised for publication it is still a joyously tropey queer SF romance (arranged marriage! Only One Bed!), as well as a Bujoldesque murder mystery and an utterly delightful political comedy. I absolutely adored it and gulped it down in a couple of days.
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I know a lot of people who love Robin Hobb's books, but I was always slightly daunted by just how many there are of them. Did I really want to embark on a 16-volume fantasy epic? I did, however, buy a copy of the first in the series, Assassin's Apprentice, a couple of years ago, thinking I probably should give it a try sometime.

Assassin's Apprentice is the story of Fitz, the illegitimate son of the heir to the throne of Buckkeep. Dumped with his father's people at the age of six, he grows up in the King's castle, never quite fitting in either as a stable-boy or once he begins to be taught the skills of the aristocracy and threatened by powerful people who hate him simply for who he is. The characters are interesting and engaging, and there's a lot of interesting court politics woven around Fitz's story. I enjoyed this a lot; enough that, at about 50% on the kindle edition, I logged on to Amazon and bought all 15 of the other books.

(I would note, though, that there is a recurring thing where Bad Things Happen To Good Dogs, so this might not be one to read if you're feeling particularly sensitive about dogs.)
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Tiffani Angus's debut novel Threading the Labyrinth tells the story of a garden, and its occupants, over four centuries of history; kind of a Children of Greene Knowe or Tom's Midnight Garden for adults, or possibly a serious version of the BBC's Ghosts. In the present day, Toni, a struggling gallery owner in New Mexico is surprised to be told that she has inherited the remains of a stately home in Hertfordshire, where she finds the remains of a walled garden which seems to change while she looks at it. Toni's explorations in the present are interspersed with stories from the past: the gardeners and servants who maintain the garden; the ladies of the manor whose inheritance the house and gardens are, but whose husbands have the power to control and change them without their wives' consent; the ghostly figures glimpsed in each generation.

This is a gorgeously written book; the descriptions of the garden and the plants are wonderfully vivid and evocative, and the characters feel real and rounded. The way the novel is structured means that the plot emerges gradually from the links between the different time periods rather than following a linear structure, and I did sometimes feel that I wasn't quite managing to keep up with what was going on, but it is a lovely and rather beguiling book and a very impressive debut.
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I only discovered Alexis Hall's books last year, but he has already got to the stage of "would read his laundry list if he published it" for me, and even if that wasn't the case, Murder Most Actual is a cosy murder mystery with lesbians, and that is very definitely something I am Extremely Here For. Here For enough, in fact, not to be deterred by the fact that the book is a Kobo original and I only have a Kindle (I was prepared to read it on my phone in the Kobo app, but in fact I was able to convert it using Calibre and email it to my Kindle).

Murder Most Actual's heroines are true crime podcaster Liza and her financier wife Hanna. Taking a weekend break in a luxury hotel in the Scottish Highlands in the hope of repairing their failing marriage, they instead find themselves snowed in with a cast of eccentric characters and a rising body count. The novel is gloriously and unashamedly full of nods to both Golden Age detective fiction and Cluedo and the mystery kept me guessing right up to the Big Reveal, while Liza and Hanna's relationship struggles and tentative steps towards reconnecting with each other are played absolutely straight, in contrast to the campy excess of the rest of the novel. It's funny and heartwarming and definitely recommended to anyone else who's still on a comfort reading kick.
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Rebecca Burgess's How to Be Ace is a graphic novel memoir of their experiences as a teen and young adult, coming to terms with their asexuality as well as dealing with anxiety and OCD. It's divided into chapters covering different stages of Burgess's life, beginning with 'How to Pretend to be Something You're Not' (secondary school) and ending with 'How to be Ace' (present day), and charting their journey from first realising that they didn't share their teenage peers' growing obsession with sex and relationships, through experimenting with relationships to coming to accept and embrace their asexual identity. I liked it a lot - it's sweet and relatable and cartoon-Rebecca's experiences and worries are vividly evoked by the watercolour illustrations, and it's also really good to see more representation of asexuality.

(I would say that I had the kindle edition, and there were several blank pages with coloured borders at the end of chapters which I suspect might have been meant to be information panels, so you might be better off with the paper copy instead.)
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Moontangled is the fourth novella in Stephanie Burgis's Harwood Spellbook series. It moves away from the Harwoods themselves to focus instead on Juliana Banks, one of the students at Thornfell College of Magic, and her secret fiancée, Caroline Fennell. Although the opening of the college has finally enabled Juliana to begin working towards becoming a mage, and a suitable spouse for a politician like Caroline in the eyes of the society of Angland, since the college opened Caroline has become strangely distant. It will take a night lost in the woods surrounding Thornfell, at the mercy of the fey, to bring the two back together.

I love this series of Regencyesque fantasy romances; Moontangled is short, but very sweet, and I thought it was ideal comfort reading.
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After reading the first volume of Lumberjanes yesterday I remembered that I'd had a copy of Sandman: Preludes and Nocturnes sitting on my shelves for a very long time, and decided that I should give it a go. (I think I'd looked at it before, but found the artwork so busy, and the storyline so dark, that I hadn't wanted to persevere.) I ended up reading it from cover to cover while not watching an episode of Midsomer Murders; the artwork is busy, the storylines are often darker than I would normally read, and I'm not a great graphic novel reader (I'm sure I miss lots of things as I race through), but I was absolutely spellbound and got to the end desperate to plunge onward. So I signed up for a free trial of Kindle Unlimited which let me read the second and third volumes for free. (The second is a single story; the third is four standalone stories, one of which features cats and another of which is the one Sandman story I'd previously read, A Midsummer Night's Dream, which a housemate when I was at university had.)

Having exhausted the Kindle Unlimited-available Sandman, I resisted the urge to buy the remaining volumes at one go (they aren't cheap, and while I do enjoy reading graphic novels I go through them at such a rate that I'm never quite sure the enjoyment justifies the cost), and instead thought I'd read the next few Lumberjanes collections, which are also free on Kindle Unlimited. Having been a bit underwhelmed by the first one, reading more of them I found that the characters definitely grew on me, and I really appreciate the body diversity and inclusion of queer characters in a YA series.
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I think Ryka Aoki's Light from Uncommon Stars may be my favourite of the books I've read this year. I was so intrigued by the premise - 'Good Omens meets The Long Way to a Small, Angry Planet in this defiantly joyful adventure set in California's San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts' - that I bought it shortly after publication despite not having previously read any of Aoki's work, and it absolutely lived up to that promise.

Light from Uncommon Stars centres around three women: Shizuka Satomi, a violinist who has damned six students to hell and must find a seventh before her bargain with the devil is complete; Katrina Nguyen, a young trans runaway who becomes Shizuka's seventh student; and Lan Tran, a starship captain who fled her dying civilisation with her family and now runs a doughnut shop in greater Los Angeles. It blends fantasy and science fiction with vivid descriptions of music and food and a love letter to the culture and cuisine of the San Gabriel Valley. It's a trans coming of age story, a lovely slow-burn romance, and a meditation on the importance of changing and adapting and accepting new influences rather than trying to preserve things just as they were in the past. It's not exactly fluffy - Katrina's experiences as a young trans girl, in particular, are often traumatic and upsetting - but it's hopeful and kind and uplifting and just a bit silly and I loved it.

***

Lumberjanes is a graphic novel series co-written by N.D. Stevenson (creator of the new She-Ra. I downloaded the first volume for free some time ago and then discovered that it was impossible to read on a phone; having just bought a new tablet, I realised that I could actually read it now. It tells the adventures of five friends at a summer camp "for hardcore lady-types", as they keep finding themselves facing supernatural monsters and other weirdnesses. Fun, and very funny in places, but it didn't grab me quite enough for me to want to rush out and get the rest of the series.
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Tansy Rayner Roberts' Unreal Alchemy collects together the first four of her Belladonna U stories, following the lives of the members of student indie band Fake Geek Girl and their friends, flatmates and significant others in a magical alternative Australia.

Like everything I've read by Roberts, this is utterly delightful and just plain fun; funny and geeky and perfect comfort reading, with interesting characters (the point of view shifts between the characters, and their voices are so clearly differentiated that I stopped needing the chapter headings to tell me who was speaking after a while), plots that never get beyond "mild peril" and a queernormative setting. I ended up reading it in two days, because I couldn't resist the urge to read "just one more chapter", and then another, and another...
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Katherine Addison's The Angel of the Crows is, basically, Sherlock Holmes wingfic. Set in a world where humans live side by side with all manner of supernatural beings, it's narrated by Dr J.H. Doyle, a former Army surgeon invalided back home after a close encounter with a fallen angel in Afghanistan. Seeking a place to live that will be affordable on an Army pension, Doyle is introduced to Crow, an angel who is not fallen, but who nevertheless is not attached to a particular building as angels, in this world, normally are, and who is seeking someone to share lodgings in Baker Street. What follows is a rattle through various cases of the Holmes canon (principally A Study in Scarlet, The Sign of the Four, The Copper Beeches, The Hound of the Baskervilles and The Speckled Band, though there are also elements of other stories mixed in) with added supernatural elements (the Hound of the Baskervilles, for example, is an actual hell-hound) but generally adhering fairly faithfully to the original plots. Running alongside this, Crow and Doyle find themselves drawn into the investigations surrounding some of the notorious real-life murders which took place at the same time as the Holmes stories were published - the Whitehall murders and the Thames torso murders.

I found the sections dealing with real-life murders rather gory, and I think I would have preferred if Addison had stuck to the Holmes reworking, which I liked a lot. Crow and Doyle's relationship seemed to me to sit somewhere between the original and the BBC Sherlock version, sometimes reminding me more of one, sometimes of the other (or, in the case of Sherlock, perhaps more of A.J. Hall's Sherlock fic), and I really enjoyed this take on it, as well as the supernatural worldbuilding. I'd definitely read more of this (surely there's more than enough Holmes canon for more?).
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Tasha Suri's The Jasmine Throne is the first book of a planned trilogy set in an Indian-inspired fantasy world. One of its main characters, Malini, is the sister of the emperor, exiled and imprisoned after trying to overthrow her brother's despotic, fundamentalist rule; the other, Priya, is a maidservant with a hidden past who is assigned to attend the princess. As political tensions rise in the province around them, Priya and Malini have to learn to trust each other in order to fulfil their destinies; destinies which will change their world.

The Jasmine Throne was a darker book than I'd expected (though I probably should have expected it, as I also found that with Suri's earlier novel, Empire of Sand); all the recommendations I'd seen had been along the lines of "morally grey lesbians who set an empire ablaze", but in fact the romance between Priya and Malini is much more subtle and less central than I'd expected from that, while there's significant violence, cruelty and evil and death, and the moral greyness is deep and all-pervading. There are no good people in this book, although some are certainly worse than others, and the questions around empire and culture which it raises don't have simple, black and white answers. The worldbuilding is wonderful, though; the complexity of the different cultures and faiths that make up the empire, and the physical details of the world, are vividly evoked.

It took me a while to get into the book, and at one point I almost put it aside as something that was clearly very good, but perhaps darker than I want right now, but I kept reading, and then about halfway through I suddenly found that I couldn't put it down and ended up reading the last 250 pages today. It does end in a very inconclusive, first-book-of-a-trilogy way, so I think I'll definitely be reading the second and third (although possibly being more thoughtful about having to be in the right headspace for something darker whenever I do).
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Kathleen Jennings' debut novella, Flyaway, is a creepy Gothic fairytale set in Western Queensland, which blends mystery, folklore and horror in the interlocking narratives of nineteen-year-old Bettina's quest to uncover her lost past, and the stories the people she encounters have about weird and uncanny happenings in the woods surrounding the town of Runagate. The horror element was stronger than I was expecting, and made it quite an uncomfortable read, but I was drawn along by the mystery and even more fascinated by the folk-tale resonances of the stories within the stories. Jennings' prose is the real standout, though; her descriptions are so vivid that I really felt I could picture the struggling small towns and the endless wilderness of trees between them.

Flyaway is a weird, beautiful, immersive read. It wasn't quite what I was expecting but I liked it a lot.
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Bonnie Tsui's Why We Swim looks at the history and practice of swimming from five different perspectives, kind of a Maslow's hierarchy of swimming needs: survival, wellbeing, community, competition and flow. Each section starts with an individual whose swimming story epitomises that theme: an Icelandic man who survived shipwreck in extreme conditions; a woman who started swimming after a serious leg injury and went on to become a marathon open water swimmer; a coach who ran open classes for allied troops and civilian personnel in Iraq; an Olympic medallist who competed in multiple games across more than two decades; an expert in ancient samurai swimming techniques. Tsui uses these stories as a jumping-off point to examine her own experiences of swimming, taking in the history and science of the sport along the way.

Inevitably, some of the themes resonated with me more than others. My swimming community is not based around organised coaching sessions, and I thought that Tsui missed an opportunity to look at other types of community; I also simply don't think of competitive swimming as having anything to do with swimming as I practice it. The final section, on flow (which Tsui sees as encompassing both the slowing down of time of intense focus and the timelessness of pure joy) is the one where I most recognised myself. It really felt as though the whole book was building to this section (though maybe I just think that because that's my experience?) and I did feel that the other sections could perhaps have been shorter, leaving more space for exploring the idea of flow, but perhaps there isn't really that much to say about joy other than that it exists.

In any case, I thought this was a fascinating read, and I'd definitely recommend it to anyone else with an interest in swimming.

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