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Doctor Who, Series 2 / 15 / 41
Well.
Well.
THIS POST HAS SPOILERS FOR TONIGHT’S EPISODE OF DOCTOR WHO
It took me a couple of episodes to warm to this series, not really helped by being away from home for four of the eight Saturdays – and eight really isn’t enough, is it? I quite liked Joy to the World, but was concerned that the peaks of Season 1 / 14 / 40 were rather close to the troughs. On form, RTD is great; but he sometimes lapses into spectacle rather than story and we saw this a couple of times this year.
Something didn’t quite gel for me with the first episode, The Robot Revolution. Partly that the plotline wasn’t all that original, but somehow it felt like actors on a set in a way that even early 60s Who didn’t. I was watching it on a cramped screen in a B&B with ants in the floorcracks, so it may not have been the best circumstances, but it really felt like spectacle was being prioritised, and it was one of the weirder introductions for a new companion even by New Who standards.
Lux was the episode shown at Easter and I watched it with other fans in Belfast. The basic concept of yet another ancient deity emerging – which turns out to be rather easily defeated – didn’t appeal to me, and the acknowledgement of segregation felt a bit by-the-numbers, but I loved the episode’s fanservice, reminiscent of The Girl Who Loved Doctor Who. Everyone’s favourite episode is Blink, right?
I had been warned in advance that The Well would be a good episode, and indeed it was a good birthday present.
Midnight is (still) my favourite Russell T. Davis episode, and I must admit I was delighted when The Well turned out to be a sequel, with a real base-under-siege plot and a really scary monster. We had more mind-blowing stuff to come this season, but this was the scariest episode by far.
And then we had a couple of really unexpected steps. Lucky Day was more Doctor-lite than I think any other episode in New Who. But it gave Ruby a lot of character development, and also made some pungent points about social media and extremism, at a moment when this is all too real. It left a lot of us hoping for more Ruby / Doctor closure.
The Story & the Engine is the second episode of Doctor Who to be almost entirely set in Africa, after “Escape Switch” in 1965.

And OK, Rwanda is not Nigeria, but as I always say, one in six Africans in Nigerian, and we collectively need to be paying more attention to Nigeria. (OK, not you, I know you have been.) The plot is fairly straightforward, with the traditional spider / trickster figure, but I loved what was done with it. We went to a nearby friend’s apartment to watch this one.
The Interstellar Song Contest was shown the same evening as the real Eurovision Song Contest, which was somewhat fraught. An Asian friend thought it was actually a metaphor for Afghanistan (because of the poppies). Some of us thought it was a bit nearer to home, and that the metaphors were a bit mixed, and that racism and prejudice cannot be cured just by singing a sad song in your own language. I didn’t like the Doctor being cruel, though I could see where it came from. But at the same time, I’d prefer that Who address these issues than not. And I was delighted with Carole Ann Ford’s cameo, and the reveal of the Rani at the end. Not to mention…
Last week’s Wish World was a whole load of bonkers exposition, which I generally loved. (Apart from the bloody Bone Beasts, which are testament to RTD’s love of spectacle above substance.) The whole Wandavision vibe of the John Smith / Belinda relationship was beautifully done, as was the sinister control by Conrad of not just his girlfriend but an entire society. (Though one wonders what is happening in countries other than England.) I was left knowing that RTD screws up the season finales more often than not, but hoping against hope that this would not be one of those times.
And, well. The Reality War is the best RTD season finale since The Parting of the Ways. It’s actually two stories. The return of Anita (hooray!) and the defeat of Omega takes up the first 40 minutes, which would be enough for a normal story – we had to explain to F why “It’s good night from me” was such a funny line – and then poor Ruby gets gaslit and minimised by the Doctor…
Until he realises that she is right. And at that point those of us who were unspoilered also realised that this was going to be a very significant episode indeed.
spolier warning
you have been warned
But it was a fantastic decision to soften the impact of Ncuti Gatwa’s impending departure by bringing back Jodie Whittaker, even if only for a couple of minutes, and for us to realise that the Doctor will sacrifice his life to save a child. The final scenes with Belinda were beautifully done. And as for the reveal of the Sixteenth Doctor – I had seen a couple of rumours, but thought it was such a ridiculous idea that I wouldn’t pay any attention. But I’m very glad that I was wrong.
Ranking the stories:
- The Well
- The Story & the Engine
- Wish World / The Reality War
- Lucky Day
- Lux
- The Interstellar Song Contest
- The Robot Revolution