[Keiki with freshly dug potatoes in his fist, ready to deposit them in one of the two white bowls in front of him.]
We ate our first potato harvest tonight. Yum!
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Sorry, street names and localities should have been added to the search screen before now. I’ve sent an update to the Google Play store just now so you should have an update available in the next few hours.and about 45 minutes later my phone automatically updated to the latest version and I could see this:
Unfortunately sometimes we can’t control what we get back from Google’s Places API. If Google decides that a place doesn’t need to have more than the town/city listed, then that’s all we get I’m afraid. We also mix in Foursquare and Google Geocoding data where appropriate as well.
It helps to include a bit more in your search, such as ‘Morrisons Granton’ or ‘Morrisons Ferry Road' rather than just ‘Morrisons’. The more you type in, the more accurate the results. It also takes into account your current location – typing in ‘Morrisons’ while you’re near Hyvots Bank will give you results geared towards South/West Edinburgh rather than North/East Edinburgh.
As to your other point (distance to search result) - at the moment, showing distance isn’t possible. We use Google Places to match search queries: that service is great because you can type in anything - ‘Morrisons’, ‘Tesco’, ‘pizza in Leith’ etc. and it comes back with accurate results. However, it doesn’t give the app the location of each place. Instead it gives the app a ‘Place ID’ - once you’ve tapped on a search result, the app sends the Place ID to Google which sends back the exact coordinate of the search result. If that changes in the future, we’ll be sure to include distance as part of the search result.
[R]ed tape also means regulations that protect citizens, at a certain cost to companies that otherwise have little incentive to sacrifice some profit to mitigate risk. It is because of red tape that you cannot buy a flammable sofa, and that you are very unlikely to die in an air crash.
Much red tape, indeed, is the frozen memory of past disaster. Modern regulatory regimes as a whole came into being in the late 19th and early 20th centuries because of public outrage at the dangerous practices of unrestrained industry.
This is perhaps partly similar to the phenomenon that having effective infrastructure and ongoing regular maintenance of same is not as dramatic a story as horrendous accidents.
It's possibly also analogous to people becoming anti-vaxxers, because vaccination programmes have been so successful that there is no notion of the risks there used to be from common diseases of childhood.
For the first few years of 'there were no new cases of polio in the last twelve months' this is news. And then that becomes the default setting.
For those who decry 'Elf and Safety, I recommend a salutary reading of the London Medical Officer of Health reports from the C19th, freely available digitised and searchable online.
There are some Victorian values one can get behind, and the rise of public health is one of them.
On other Victorian values, however, and those who ignore history are condemned to repeat it, this person seems unaware that providing tied housing contingent upon working for a particular employer is nothing like a 'welfare state':
it was recently reported that Google’s parent company, Alphabet, is spending is around $30m to provide short-term, prefab housing for 300 of its employees because Silicon Valley housing is in such short supply. Tech giants helped cause a housing crisis in Silicon Valley, now it seems they are becoming landlords. It’s feudalism 2.0.Not so much feudalism as C19th model towns, e.g. Saltaire, founded by businessmen to keep their workers contented and (I hypothesise) spurning the trades union movement (having had to do with a late C19th enterprise with some of the same elements of benevolent paternalism towards the workforce).
And, looking at that article, was New Lanark really quite the same thing? Enlightened capitalism not quite the same as utopian socialism.
Also had the thought that people who are 'regulation BAD' seem to reverse this opinion when it comes to panic measures against terrorism that are often symbolic rather than proven efficacious.
What I read
Finished Binti. Reminded me a bit of other things I have read over my sff reading life, but well-done, may well go for the next one.
Sarah Gailey, River of Teeth (2017). Okay, everybody mentions the hippos, but isn't it, underneath that, a combination western/caper tale where an unlikely team is brought together and has its own tensions besides the issues with what it has to do? (not that that isn't a good armature). Enjoyable, but ended abruptly and cliffhangingly, and is the new thing (see Binti above) of issuing novellas which are only the beginning of a longer story arc the new allotrope of serialised fiction? (but hey, it worked for Middlemarch, though at least Ms Evans indicated that it was an ongoing story.)
Dana Stabenow, Bad Blood (2013). Not quite as good as the last one I read, I think, but ended with A Thing that makes me want to go on to the next quite shortly to see how that pans out for Kate Shugak.
Two short pieces of Barbara Hambly's 'Further Adventures': Hazard (2017) (Sunwolf and Starhawk) and Elsewhere (2017) (Darwath).
Picked up in booksale, Arthur Ransome, Missee Lee (1941). I remembered very little about this, even though I later discovered I already had a copy on my shelves. I don't think it was ever among my favourites of the Swallows and Amazons books; but I've found, on re-reads of these books, that somehow they do not do for me what they did in youth - something about the style? I don't know. Also, early C20th rendering of Chinglish, sigh.
On the go
Elizabeth George, A Banquet of Consequences (2015). I was considerably off these when they were turning Lynley's Epic Manpain up to 11, but this one was very cheap in a charity shop and promised mostly Havers. And really, do we not want more of the scruffy maverick with constant disciplinary issues who is also a woman? - the 'top brass not pleased' is massive at the beginning of this one. Okay, it's got a standard E George riff on 'all unhappy families are different in baroquely complicated ways, and there are no happy families' (the misery handed on is not so much a coastal shelf as the Mariana Trench), but I have stuck with it, though have just been irked that over 500 pages into the narrative they are only just looking into how anyone might have got hold of the somewhat unusual toxic substance involved.
Also, on the ereader, because I don't want to tote around a damn great fat paperback, from the romance bundle, Ivory Lei, How to Wed an Earl (2013) - not got very far, but seems as, 'be betrothed in infancy by respective parents' is how...
Well, in another charity shop found the preceding volume by Elizabeth George, Just One Evil Act (2013), which, I daresay, will reveal what got Havers into the deepest of disgrace and quite possibly the depths of depression, but I'm not sure I really want to commit to going straight on to another of these. Or maybe the next Stabenow in the series.
Or I could look through my tbr piles, actual and virtual.
Any expression of appreciation may be made here: PayPal, tho' 'tis ever possible that you may wish to save your pennies against the appearance of the edited and revised version.
I was responding to someone else's post and saying that I'm actually quite hesitant about recommending some of the writers/works that I love, because I can see that they have very individual and distinctive styles and that these may not work for everybody.
Some while ago (but failed to save the link) read a post somewhere pointing out that if you write a book or make a movie or [whatever], that people really really LOVE it is pretty much certain that there will be some people who really really HATE it; and that people who are aiming to make something that will appeal to everybody end up with a bland mush* that nobody HATES perhaps but nobody goes raving enthusiastically about either.
For some people, and maybe in some genres, this is a feature and not a bug: I have lately been reading various romance authors and a lot of them seem fairly interchangeable to me, i.e. I would not pick up a work and immediately know it was by YX rather than XY. See also some of the comments I have made about the reissued 'Golden Age' mysteries I have been sent as freebies and made myself read. Sometimes e.g. Allingham may irritate me intensely, but you know that you're reading a book by her and not Any Old Person.
Me myself I am a sucker for a distinctive voice provided that it is fresh rather than derivative (suspect this may account for why I like the Flashman books but not the various works that have tried to do the same thing, without, I depose, anything like GMF's abilities).
Though I am also generally twitchy about people who proselytise for authors/works/movies; possibly the flipside of that is people who diss on something you're reading or have on your shelves, which is rude. (Plus, if you a person who reads ALOT, you are going to have books about that are not favourites of your heart or indeed anything but something you are reading, because reading is what you do, they are at least a step up from the back of the cereal packet.)
As I have heretofore remarked, there is no book that everybody SHOULD read.
*Though is there not a proverb about porridge and no danger of world shortage of oatmeal?
Returning to the business of self-publishing these memoirs both in pretty bound volumes and as ebooks -
- yr amanuensis was looking over the Smashwords and Lulu sites yestere'en.
And thinking that there would be a fair amount of faff involved, and then noticing that Lulu (I may not have got that far with Smashwords) offers a package deal for doing the formatting &C, and that I am coming into a little legacy shortly -
But then thought, surely there are talented and competent people among my readers or their associates who would be prepared to undertake this for a fair price?
(It is the business of the wealthy man/To give employment to the artisan.)
I still have some final editorial touches to make to the Word documents, but if anyone is interested in this, or can recommend someone, please
speak comment or DM me now.
I also revisit the matter of covers and whether there are any among the readership of artistick ability, or knows of any such, who would be interested in undertaking cover design for appropriate remuneration?
I was synchronicitously pleased to find this blog post crossing my line of sight earlier today: Prospecting for kryptonite: the value of null results, because I had been thinking about incrementality and the time it takes for things to see results, and this is not just about scientific research.
Lately, at a symposium-thing I was speaking at, in the question/discussion bit somebody asked, was [change in the law] down to its being the Permissive Society at the time. And I was, actually that change in the law was made by people who had been working towards it for several decades, and had finally got into positions of power and influence and had the clout to bring it about, and it was more the final outcome of stuff that happened in the 30s than something that can be attributed to its beneficiaries, the Sixties Generation.
I think I've moaned on before about the 'Spaceships of the Gods' hypothesis and the idea that certain forms of knowledge came from Out There, because Infinite Regress: who found out how to build pyramids in the first place? why couldn't they have
put on the show right here in the old barn gradually developed the capacity to do so over time and trial and error. The pyramids did not grow up overnight. So it might just as well have happened here as Somewhere Else and been brought to us by ?benevolent aliens.
There was also a good post somewhere I came across about archival research and how it is not opening a file and DISCOVERY!!! it is looking through files files files and putting little pieces together.
Yes, there are moments when everything comes together, and when the outcome of the process finally surfaces above the horizon: but it doesn't Just Happen. There was history.
the digested version of a story already squeezed to bursting, a story of Arctic islands, Russian subs, and a steel fortress that fell to dust.